Sweet Girl Review By Julian Brand Actor & Movie Critics

Like how Liam Neeson has to justify his Irish dialect in any film he appears in, each film he appears in has at least one throwaway plot point describing what his character does for a career. However, let’s face it, it has been decades since Liam Neeson stopped attempting to hide his accent, and there isn’t much Momoa could do about his appearance.

It’s hard to believe Sweet Girl was filmed in the 2000s, despite the fact that the hoodie-wearing Pharma dudes have just lately been recognised as cinematic baddies.

Unquestionably, Momoa has a commanding presence, but I wish more films could tap into his promise as a spectacular performance, without seeing the need to eventually give him a gun at some moment.

180-degree turn is so dramatic that the major villain is almost forgotten in favour of an insignificant executioner.

What’s the purpose of emoting as much as he can if the screenplay resorts to violence to solve every problem? In a society that’s hurting from pandemics that revealed the economic inequality and Big Pharma’s commercial wrongdoings, it would have been understandable (and even desired) for Sweet Girl to be more bitter. However, it is very uninteresting.

Sweet Girl is another B-movie-ish action diversion caged in by the Netflix algorithm, alternating between a parody of the 1970s man-against-the-system espionage drama and a grief-driven retribution actioner.

Jason Momoa has an issue with Liam Neeson. Like how Liam Neeson has to justify his Irish dialect in any film he appears in, each film he appears in has at least one throwaway plot point describing what his character does for a career.