Best cinematographer in Seoul

Mike Beech is a director, cinematographer, editor, camera operator, drone pilot, colorist, and photographer.

To determine the all-around greatest films of all time, the well-known Sight and best filmmaker Poll surveys themselves.

To be the_ best cinematographer in Seoul_, you have to understand that every piece is related to everything else. Improving one thing will enhance all overwork.

Behind-the-scenes 35mm film shots from a music video project on which I was the director, cinematographer and editor. We had the wonderful opportunity of shooting on the beautiful Italian island of Sicily during the glorious summer of 2019.

This is the second part of a collection of medium format shots I took during a trip to Colorado last year. A big thanks to everyone who modeled for me in these shots - I normally take a long time to shoot just one Bronica image and these guys were all very patient with me.

The first set of a collection of medium format shots I took during a trip to Colorado last year. It was a great experience with some wonderful friends through a really beautiful part of America.

In this first medium format film post I’ve put together a selection of recent architecture shots from the Midlands. Mostly shot on Kodak Portra 120 in Birmingham and Leicester. Though it’s not an area normally known for its architectural beauty, I found there was a lot that I wanted to shoot while I was there.

I’m very proud to announce that a film I shot in September 2019 for musician Erlend Øye (Kings Of Convenience, Whitest Boy Alive) has won Best Music Video at the Florence Film Awards. The film - titled Paradiso - was also officially selected for the Rome Independent Prisma Awards. Shooting this film was hard work but also a lot of fun and I am really grateful to everyone who contributed to make it possible.

To mark the release of the multi-award winning documentary Chasing The Present (and it topping the AppleTV chart on its opening weekend) I thought I’d write a post to talk a little bit about the fantastic experience of working as a cinematographer on the film. In late 2017 I was asked to join the project in a director of photography role. The film was scheduled to shoot in many different locations globally with the goal of investigating questions around consciousness and the nature of the self.