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Companies that only specialize in their own hosted landing pages for lead generation or sales; one pagers that may or may not include landing pages; one pagers that are within a group of a theme or themes for wordpress or another website building company. Alternatives to wordpress and hosting. These programs work heavily on conversion to emails and to sales, and have their own platforms. This focuses on program that enable you to collect email addresses and many can connect them with campaigns so you can easily give your users free downloads, eBooks, or even bonuses up to dally for sharing your content. Do note that most of these bill annually, or at least quarterly. Look to see if you will need to pay for an integration of an email tool (and what the costs and limitations of those may be) and what your hosting options are. When starting this list, I had in mind that we could easily and quickly put up a landing page to get any parts of the company moving quickly. Now I am not so sure the difference (other than a lot more cost) of getting an exclusive landing page site over whatever you're using already for websites- especially if you're using wordpress as many templates have a landing page option. **In my opinion, this is most valuable if they do the email collection and the email campaigns not just the landing pages.**
What are the Best Activity Trackers for Fitness? Seeing where you're lacking in activity can help with your fitness levels. these little devices open up a whole new world in helping you realize where you need to improve your well being and health with surprising results!
The April 21st death of rock, soul and funk legend Prince at age 57 has left the music world in utter sadness, shock and disbelief. The suddenness of it and his young age makes it as hard or harder a pill to swallow as the losses of fellow icons like David Bowie, Whitney Houston or Michael Jackson. The outpouring of love for The Purple One in the three days since his death has been nothing short of phenomenal, whether it's been via social media, in dance-offs performed in city streets across the world, or on radio station (land, satellite and Internet-based) marathons of His Purple Highness' vast playlist of classic jams. You may even be listening to your own favorite Prince tunes as you read this, while trying to decide which ones you really liked better than the others. Tough choices, aren't they? Considering that the legacy Prince left behind is about as prolific a catalog of hits (and non-hits) as any artist's in modern history, on any given day your favorite Prince tune might change. In an era when artists, especially superstar ones, recorded an album every two or three years and then slowly milked it dry with lengthy singles promotional campaigns, the Purple One recorded an average of at least one album a year for a total of 39 between 1978 and 2015. You'd have hundreds of Prince jams from which to choose when deciding that favorite. By comparison, Michael Jackson only released six albums (not counting greatest hits compilations or the EP record, _Blood on The Dance Floor_) between 1979 and 2009 when he died, with two more released posthumously. In terms of sheer volume, no other contemporary pop artist can claim such an accomplishment as Prince's. Make no mistake though, Prince was able to flex his extensive creative muscle largely because of his immense popularity and success in the 1980s. Selling nearly 100 million records worldwide in that decade alone was enough to land him the large recording complex he called Paisley Park Studios, where much of his creative genius occurred. The artistic freedom he must have experienced in that studio - without the constraints of schedule pressure, booking fees and A&R people/record execs breathing down his neck - likely served as further inspiration for the man who crafted his art without boundaries. Prince's death comes at a time when we've hardly had time to grieve the others who've left us in this year of artists' reckoning. Preceding him in 2016 were fellow 20th-century legends like Glenn Frey, David Bowie, Maurice White and Merle Haggard. But remember him we will. And for me it continues with this third tribute djrobblog article: a special djroblist of the greatest Prince songs of the classic era, 1978 - 1996. To me there are basically three types of Prince fans: 1) ones that only know the popular singles or think his career began with _1999_ (or worse, _Purple Rain_!); 2) those that know everything from his heyday (1978 - 1996), including album cuts, B-sides, etc.; and 3) those that know and appreciate everything, all the way up to 2015's _HITnRUN_ albums. The djroblist that follows caters to those in the middle category - a sort of compromise if you will. It's a list of 57 songs - one for every full year that the man lived. I realize that only considering the first half of his nearly 40-year career is blasphemous to the truest Prince fans (the third type) out there, and this may leave some of you a bit dissatisfied. I even believe that some of those later songs are possibly better - from a quality standpoint - than what's included here. But I'll leave it to the Type 3s to create a countdown that includes stuff from his last 20 or so albums (post-1996's _Emancipation_), or provide comments and convince me to add them to this list. For now, the focus is the classic years and the songs that "brung 'em"...the ones for which we'll remember him most. So here they are, the 57 Best Songs by Prince - the Classic Years: 1978 - 1996.
Our "Freak Flags" Should Be Flying Half-Staff Right Now. Last week, the R&B world lost a noteworthy singer/songwriter/producer whose passing went largely unnoticed by music fans and music journalists alike. Leon Haywood, 74, died April 5 in Los Angeles and, although his name is not one you'll hear mentioned alongside the many legendary artists who've left us in recent years, he left behind a small but memorable legacy that is worth celebrating nonetheless. Haywood gave us early '80s post-disco hits like "Don't Push It, Don't Force It" (all of you diehards over the age of 40 remember that one, admit it) and the timeless "She's A Bad Mama Jama," the smash million-selling tune he wrote and produced for the late Carl Carlton in 1981. Those two tunes alone don't qualify Haywood as a legend in music circles, but they're considered R&B staples of their day, especially "Mama Jama," which is included on many funk compilations and retro old-school playlists some 35 years after its initial popularity. But Haywood should also be remembered for the song that became his only top-40 pop hit as a singer: the sexy, slow-burning, "I Want'a Do Something Freaky To You" in 1975. That tune is notable for several reasons, not the least of which was the famous intro that was looped and sampled for Dr. Dre's "Nuthin' But a 'G' Thang" in 1993. That legendary rap hit introduced the world to Snoop Dogg and has been considered by some to be the best hip-hop song of the 1990s. But there's another reason Haywood's hit should be celebrated today. "I Want'a Do Something Freaky To You" introduced the pop radio market to a never-before-used (in music, that is) "F" word that has since been like a call to arms to the many who dare to self-identify with it: "Freak." That's right. In 1975, Leon Haywood flew his freak flag high before anyone ever thought about doing "Le Freak," getting their freak on, or hanging with "Super Freaks." Haywood incorporated the word "freak" in his song's title and watched it literally moan and slither its way to the upper portion of the charts (both R&B and pop), thus paving the way for other one-track-minded songs to grace popular music radio. Memorably, 1970s R&B was already well known for its subtle use of vague metaphors and innuendo when describing bedroom affairs, but Haywood left no doubt what he was referring to as he sang lyrics like "your love is like a mountain, I'd love to slide down into your canyon." To add to his "freakish" tendencies, Haywood sang of acrobatic prowess ("all twelve positions of the zodiac signs, I won't quit until I blow your mind"), embraced reckless abandon ("compatible or not, I'll hit the spot") and incorporated sexy female backing vocals, including one whose climactic moans you hear throughout the song, particularly during that famous "Nuthin' But A 'G' Thang" intro. Those moans and others like 'em were becoming more commonplace during the decade, with prominent examples being Donna Summer ("Love to Love You Baby") and Major Harris ("Love Won't Let Me Wait"). But lyrically (excluding the moans of course), both those two tunes could still pull off a G rating - or at worst, a PG one. This was less so for Haywood, whose song's X-rated imagery was both vivid and inescapable (to wit, he sang "I'll put it where you want it, as long as you need it...I won't mistreat it"). Now, I doubt Haywood realized at the time just how revolutionary his only top-40 pop hit would become, but never before then had a song that celebrated being a "freak" wrapped itself around mainstream radio airwaves like his did (although I'd be willing to bet many stations likely banned the song during its height in popularity). Nevertheless, "I Want'a Do" was indeed revolutionary, and we've been getting our freak on - musically and otherwise - ever since. Today, the urban dictionary has an entry for "freak" that is more aligned with Haywood's thinking than the traditional definition found in Webster's. Of course, there's no evidence to suggest that Haywood should receive ALL the credit for that cultural shift, but it's certainly true that his 1975 soul classic was a game changer, one that made it okay to hear the word "freak" and it's various derivatives on American pop radio...for the first time in 1975, and in every year since. And, as his tune's lyrics would suggest, he did it "in the name of love with everything he had." So, as a celebration of Haywood's legacy, I've created the following countdown of the 15 most memorable "freaky" songs - with all eligible songs incorporating a variation of the word "freak" in their titles. It's a countdown you'll be tempted to play over and over again... To Leon Haywood: May you rest well. To the readers: I hope you enjoy the musical freak show that Haywood was instrumental in starting. And, as always, thanks for all the love and support of djrobblog.
So you read about affiliate marketing and how easy it is to "earn $19.234,43 in just one hour"? And of course, you want that too, right? Imagine how many iphones you could buy with almost 20k... hell yeah! So you set up a blog and you just to proof the world you're 100% serious about your new career you hired some Indian guy from some shady "very high quality, sir"-SEO forum, right? And you paid him WHAT? An astounding amount of TWO dollars for five hundred "high quality words, sir"? Haha, okay. Good luck with that. But before spending another fortune to skyrocket your new career even more, give me ten minutes of your valuable time and allow me to shatter your dreams and send you back to McDonalds.
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